- #DANTE VIRTUAL SOUNDCARD TO SHOW UP IN GARAGE BAND UPDATE#
- #DANTE VIRTUAL SOUNDCARD TO SHOW UP IN GARAGE BAND PORTABLE#
- #DANTE VIRTUAL SOUNDCARD TO SHOW UP IN GARAGE BAND PRO#
- #DANTE VIRTUAL SOUNDCARD TO SHOW UP IN GARAGE BAND TV#
First impressions? I usually work with the LS9 all day, so nothing new. We had two 16/8 Stageboxes, a LS9 at Monitoring, a CL5 at the FOH, a M7CL for mixing the bands towards broadcast and finally a CL1 in the production truck for the final broadcast mix (speech, evs, atmo, music, etc). #DANTE VIRTUAL SOUNDCARD TO SHOW UP IN GARAGE BAND TV#
Last summer we produced an hour long live TV broadcast with three bands, each with 10 minutes of live performance.
We used several consoles at the same time. And this is not depending on your manufacturer, it is the same over the whole Dante network (you can also get wireless receivers with builtin Dante). Get yourself a central point (router, switch) and connect all your gear from there, you don't need to built your network in a certain order. You can daisy-chain every piece, I wouldn't recommend it (as soon as your console goes out, your recording it messed up, too). Building your Network the right way is absolutely key. The controller is free to download at Audinate, the virtual sound card is optional and you have to buy or rent it. Controller and virtual soundcard are completely separate. Sure, it was quite the night, so my answer was not the best to understand. Great for litte adjustments on your console.Ĭompared to analog? No heavy multicores, no splitters, instant playback, no large interfaces for recording, no need to setup the gain twice (all stored in the stagebox). at the soundcheck in ProTools and later you can play all recorded channels back into the network like the band was playing on stage. 
Nice thing: You can record all the channels e.g. I'd go with the Dante virtual sound card – it emulates a soundcard, execpt it goes all via your ethernet cable up to 64/64 channels. Regarding your DAW, there several options. You control every piece of Dante equipment and your patching via a small controller on your notebook, works fine. Rent (or buy) a Dante stagebox in your favorite size and get yourself a decent gigabit router with some cat6 cables. Take a console with a built-in Dante controller or build in your own Dante Card. We tested some Dante Equipment at various events for Yamaha (yes, for.) – and we were all very happy with the results. #DANTE VIRTUAL SOUNDCARD TO SHOW UP IN GARAGE BAND UPDATE#
Thank you in advance for any help you give, and if I come up with any new info or questions I'll be sure to update here.ĭante is your way to go. So what do you use in your studio/live recording setups?ģ) What are your overall thoughts on Audio-over-Ethernet compared to traditional analog setups?
#DANTE VIRTUAL SOUNDCARD TO SHOW UP IN GARAGE BAND PRO#
With all this in mind I have a few questions: 1) What's been your best experience in regards to consoles and software implementations?Ģ) I'd prefer to use Pro Tools as my DAW, as I know it best, however I'm open to suggestions of switching to a different DAW (preferably PC 64-bit).
#DANTE VIRTUAL SOUNDCARD TO SHOW UP IN GARAGE BAND PORTABLE#
I also want something that I can use as a portable studio and eventually turn into a permanent studio application. I'm not the main tech here, but I'd like to build up my own portable AoE setup to make these situations a lot easier on us. I currently work at a church doing live sound and, while we have a great setup for the current stages, whenever someone wants to do something in a room with a very limited system we are fairly limited. I'm wanting something that I can build as a portable rack.
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